Imagine the soft morning light filtering through a hand-block printed curtain, casting delicate paisley shadows on your living room floor. The charm of block print textiles lies in their imperfect beauty and rich heritage. each motif stamped by hand, each piece carrying the legacy of generations. In today’s décor trends, Jaipur’s signature craft of block printing has found a well-deserved place in modern homes worldwide. From vibrant block print curtains made in India’s Rajasthan to cushion covers adorned with traditional motifs, these textiles bring warmth, artistry, and a story into your space. In this comprehensive guide, we’ll journey through the history of Jaipur’s block printing, explore its unique techniques (Bagru, Sanganeri, and natural dyeing), celebrate popular motifs like paisley and jaali, and learn how to style these treasures in contemporary minimalist homes. By the end, you’ll see why global décor lovers are smitten with Jaipur hand block textiles and how brands like Eyda homes curate these authentic crafts into modern collections. Let’s dive into the colorful world of hand block prints! 

History of Block Printing in Rajasthan

Block printing is a centuries-old craft in India, and Rajasthan has been a thriving center of this art for a very long time. In fact, the Chhipa artisan community introduced hand-block printing to the region as early as the 12th century. These skilled printers carved intricate motifs into wooden blocks using chisels, then pressed them onto fabric using vegetable dyes. Over generations, the craft flourished under the patronage of Rajasthan’s kings and the dedication of artisan families.

By the 16th and 17th centuries, towns like Sanganer (near Jaipur) and Bagru became renowned hubs for block printing. Historical accounts suggest that political upheavals (such as Mughal and Maratha conflicts in Gujarat) drove artisans to resettle in Rajasthan; a group of printers from Gujarat’s Kathiawar region set up workshops in Sanganer during the mid-1600s. With royal support from Jaipur’s rulers (like Maharaja Sawai Jai Singh II) and access to plentiful water for washing and dyeing, Sanganer blossomed into a bustling cloth-printing center by the 18th century. Meanwhile, Bagru, a village just outside Jaipur, developed its own printing traditions rooted in the local Chhipa mohalla (printer’s quarter) and techniques passed down through the ages. 

This heritage craft didn’t remain confined to Rajasthan; it enchanted markets abroad as well. By the late 17th century, block-printed textiles from Jaipur were being exported to Europe via East India Company trade. Sanganeri cotton prints (often called “chintz” by Europeans) gained immense popularity, to the point that English and Dutch traders helped introduce new design elements (like cabbage-rose floral motifs) to please foreign tastes. Indian block prints became so fashionable in Europe that towns like Paisley in Scotland began imitating Kashmir’s shawl designs (featuring the now famous paisley motif) in the 19th century. 

Through the 19th and 20th centuries, Rajasthani block prints remained beloved in India, from royal wardrobes to common households. Even India’s leaders appreciated them; it’s said that Prime Minister Indira Gandhi often wore hand-block printed saris from Jaipur, bringing national spotlight to the craft. Fast forward to today, and Rajasthan’s block printing tradition is still going strong, now protected and celebrated as a geographic specialty. Both Sanganeri and Bagru prints have earned official Geographical Indication (GI) tags in India (awarded in 2009 and 2011, respectively) to recognize their unique regional identity and safeguard the craft. 

Jaipur, Bagru, Sanganer, Barmer, and Sikar are among the prominent printing centers in Rajasthan each with its own style. The skills have been lovingly passed down through generations, making Rajasthani block prints famous worldwide. Today, when you purchase a block-printed curtain or cushion, you’re not just buying a beautiful textile; you’re owning a piece of history. It’s amazing to think that the same methods and patterns that grace our modern living room furnishings were developed in desert villages centuries ago and traveled across oceans as coveted treasures. The enduring appeal of Jaipur’s block prints truly proves that great design is timeless. 

Block Printing Techniques of Jaipur: Bagru, Sanganeri & Natural Dyes

One of the reasons Jaipur’s block prints are so special is the variety of techniques employed by its artisans. Even within a 30 km radius of Jaipur, two villages, Bagru and Sanganer, evolved distinct methods and aesthetics for block printing. Let’s explore what sets these techniques apart and how natural dyeing lies at the heart of both. 

Bagru Printing: Mud Resist Magic and Earthy Hues

Bagru is a village about 30 kilometers from Jaipur, and its name is practically synonymous with hand block printing. The Bagru printing technique is famed for its use of natural dyes and a special mud resist process known as dabu. In Bagru, artisans often start by preparing the fabric with a clay mixture resist: a paste of local clay, gum, and millet husk is hand-printed onto areas of the cloth to create patterns (this is the dabu process). Once the resist dries, the fabric is dipped into dye vats traditionally deep indigo blue made from natural indigo plants. The portions covered by the mud resist remain undyed (usually revealing the cloth’s base color or a previous dye), while the exposed parts soak in the rich blue dye. When the mud is washed off, a white or lighter motif emerges against the indigo background. This creates the beautiful Bagru dabu prints: white or light patterns on a dhani (grey-blue) or syahi (black/indigo) colored base, often with additional block-printed outlines or accents in other colors. 

Bagru prints are known for earthy, warm hues and bold compositions. Traditionally, Bagru artisans used a palette derived from nature: indigo for blue, madder root for red, turmeric or pomegranate for yellow, and iron acetate (rusty iron filings mixed with molasses) for black. The color scheme tends to be black, red, and indigo on cream or dyed backgrounds, giving Bagru textiles a distinctly rustic and organic look. In fact, unlike Sanganer’s prints, which were usually on a bright white field, Bagru prints often feature beige, off-white, or dyed bases (like indigo blue or ochre). This is partly due to the local water and soil: historically, the water in Bagru had a slight reddish tinge, which influenced dyeing results and led printers to favor dabu resist and darker base colors. 

Motifs in Bagru printing draw heavily from nature and the region’s cultural symbols. You’ll see bold floral vines, paisley (mango) shapes, sun motifs, and geometric jaal (net) patterns in classic Bagru fabrics. Traditionally, Bagru motifs are larger in scale with thick outlines, as compared to the finer detail of Sanganeri designs. This stylistic choice likely arose because the mud resist and direct dye technique in Bagru favored high-contrast, simplified shapes that read clearly against the dyed background. For example, a popular Bagru motif is the syahi-begar design, which uses black (syahi) outlines filled with red dye on a cream ground. Another is the dhabu indigo print, where a repeating floral or booti pattern appears in white on an indigo blue base, created via mud resist.

The tools of the trade in Bagru are themselves works of art. Artisans carve printing blocks (locally called bunta) from seasoned teak or sheesham wood, chiseling out delicate relief patterns that will imprint onto fabric. Each color in a design requires a separate block printer to precisely align one block after another to build up multicolored patterns. The Chhipa community of Bagru has mastered this craft over some 400 years. It’s a community effort: one family might specialize in block carving, another in mixing dyes from plants, and another in washing and sun-drying the fabrics. Walking through Bagru, one can see yards of freshly printed cloth drying in the sun and smell the earthy aroma of dye vats bubbling with indigo or madder. The result of all this labor? Gorgeous textiles that carry the soul of Rajasthan, perfect for block print curtains or throws that make your home feel connected to nature and tradition.

Sanganeri Printing Fine Florals on Pristine White

If Bagru is all about earthy elegance, Sanganeri printing is about vibrant refinement. Sanganer is a town just south of Jaipur city, and its block prints gained fame for their delicate lines, bright colors, and intricate details. A classic Sanganeri print features a field of white or off-white cotton lavishly covered with tiny buttas (floral sprigs or motifs) in multiple colors. In fact, Sanganeri prints traditionally were always on a white background, with patterns in bright dyes covering the surface. This hallmark style of light background with detailed colored motifs made Sanganeri fabrics especially prized for dress materials, quilts, and home linens.

The Sanganeri technique is distinguished by its precision and layering of colors. Artisans in Sanganer often use a method akin to calico printing: first printing fine outlines of the design (typically in black or syahi made from iron) and then filling in different sections with separate blocks for each color. For example, a Sanganeri bedsheet might start with a black outline of vines and flowers, then a block for red petals, another for green leaves, and so on. This yields a rich, multicolored pattern, all done by hand with perfect registration. The level of detail can be astonishing: thin lines, tiny dots, and intricate floral jaal (trellis) patterns are a specialty of Sanganer printers. It’s said that Sanganeri designs were so fine that they often resembled pen drawings; English traders in the 18th century likened them to quality prints from Calico in their precision.

Motifs in Sanganer printing show a fascinating blend of local and foreign influence. Many designs are inspired by the Mughal era aesthetics. You’ll find Persian-style floral bouquets, lotus flowers, stylized paisleys, and scrolling vines (bel) as common elements. Sanganeri artisans have over 400 traditional motif patterns (called bhint or bhant) in their repertoire. These include the quintessential floral buta/butti (single flower or plant motif), bel (creeper or vine borders), and jaali (lattice or net-like repeats). For instance, tiny bouquets of sunflowers, roses, lilies, or marigolds might be arranged across the fabric, sometimes interspersed with paisley mango shapes. The influence of Jaipur’s royal courts and global trade can be seen: under royal patronage in the 1700s, Sanganer prints incorporated motifs like iris, tulip, and narcissus flowers, which were not native to Rajasthan but came via Persian designs.

European influence introduced the cabbage rose and other florals geared toward western tastes during the days of export trade. Despite these outside inspirations, the execution remained distinctly local; every motif was hand-carved on wood and stamped by master printers of Sanganer. 

Another signature of Sanganeri textiles is their color palette. Traditionally, Sanganeri printers worked with natural dyes as well (as all printers did historically). They favored vibrant hues like deep red (chitravali) obtained from madder/alizarin, bright yellow from turmeric or harde fruit, indigo blue from natural indigofera plants, and various greens, pinks, and purples achieved by over-dyeing or mixing dyes. A typical Sanganeri saree might have red roses with green leaves, or a quilt might feature pink lotus flowers on white. Over time, chemical dyes were introduced (around the mid-19th century), which expanded the color range further. But even with new dyes, Sanganeri prints retained their lively yet refined look, often using softer pastel shades on white for a very elegant effect.

It’s also worth noting that Sanganer received a Geographical Indication tag in 2010 for its hand-block printing, underscoring how integral this craft is to the town’s identity. The GI recognition also highlights certain technical definitions: Authentic Sanganeri prints typically use the white/off-white background with the discharge or direct printing technique (discharge printing involves using a chemical to remove color for the white design, but in Sanganer’s case, the fabric is usually initially white anyway). Meanwhile, Bagru printing (with its GI tag from 2011) is defined by syahi-begar prints (black-and-red) on a dyed beige background) and dabu indigo resist work. Between these two styles, Jaipur has become a mecca for block printing. Whether you desire the subtle, fine florals of Sanganer or the bold, earthy geometrics of Bagru, the region has it all. 

Natural Dyes: The Soul of Rajasthani Block Prints

A beautiful aspect of Jaipur’s block printing traditions is the use of natural dyes and eco-friendly processes. Historically, all the brilliant colors in Bagru and Sanganer prints came from plant, mineral, or other natural sources, giving these textiles an organic vibrancy that chemical dyes simply can’t replicate. Even today, many artisan workshops in Rajasthan continue to use or revive natural dyeing methods, appealing to eco-conscious consumers and keeping age-old recipes alive.

Indigo, extracted from the indigofera plant, is the cornerstone of many Rajasthani prints (especially in Bagru and nearby areas). Indigo dyeing is almost a ritual: huge fermentation vats are maintained to create the deep blue dye, and fabrics are dipped repeatedly to build up the intensity of color. The magic of indigo is that it requires no mordant (fixative); the cloth emerges greenish from the vat and turns blue on exposure to air, bonding to the fiber. Bagru’s famous indigo dabu prints achieve their white-on-blue contrast by shielding parts of the cloth with mud resistance before each indigo dip for reds, the traditional source was madder root (from the rubia plant), which yields beautiful reds and pinks. In some cases, alizarin (a compound derived from madder or synthesized later) was used to get colorfast reds. Another source is the Indian madder (manjistha) and sometimes lac (an insect resin) for red tones. Yellow came from herbs like turmeric, the blossoms of the tesu flower (flame of the forest), or pomegranate rinds. Black was often a result of a special brew: rusty iron, molasses (jaggery), and water fermented together. The iron acetate solution (called syahi in local terms) would be used to print, and then upon washing or post-treatment, it yields a deep, fast black. This iron-black was commonly used for outlines in both Bagru and Sanganer (hence terms like “syahi begar,” meaning “black outline”). Brown or clay colors could be made from tannin-rich harda (myrobalan) combined with alum and iron. Green might be achieved by overprinting blue and yellow (indigo + turmeric, for instance) or from plant sources like neem or indigo overdyed with pomegranate.

Using natural dyes is a labor of love; they often involve many steps of mordanting, repeating printing, and washing. For example, to get a typical red floral on a Sanganeri print, artisans first print the area with a mordant (fixative) like alum solution (this print is invisible at first). The fabric is then dyed in a bath of alizarin; the alum-printed areas chemically bond with the dye and develop into a bright red pattern, while the rest of the cloth stays white (if no other dye was applied). This technique is called mordant printing and was widely used for the exquisite multiple colors of Sanganeri prints. In contrast, Bagru’s process often involved direct application of dye thickened with natural gum onto the cloth or using resist to create patterns with one color at a time. 

The results of natural dye printing are not just pretty; they are environmentally friendly and wonderfully soft in tone. Natural dyes imbue fabrics with a certain mellow richness and irregularity. You’ll notice that a hand-block print made with vegetable dyes has slight variations in color intensity, giving it a lively character (as opposed to flat, uniform chemical prints). They are also generally nontoxic and gentle on the skin. At Eyda homes, for instance, artisans use water-based or natural dyes in their block printing process as part of an eco-conscious approach. Unlike mass-produced fabrics that might use harsh synthetic colors, these traditional methods ensure your curtains and cushions are free of harmful chemicals and better for you and the planet. 

That said, modern block printers sometimes use AZO-free synthetic dyes for certain bright colors or better colorfastness, especially for commercial production. These are laboratory dyes engineered to be free of toxic azo compounds, thus safe and relatively eco-friendly. The introduction of such dyes has expanded the palette (e.g., you’ll see vibrant turquoise or lilac that might be hard to get from natural sources). Many workshops mix techniques, maybe using rapid naphthol dyes for one color and vegetable indigo for another, to balance authenticity with efficiency. The important thing is that the spirit of the craft continues: whether using a vat of indigo leaves or a bucket of modern dye, the printing by hand with carved blocks remains the core.

In summary, natural dyeing is the soul of Jaipur’s block prints. It connects the craft to Ayurveda-like knowledge systems where plants are used thoughtfully to create beauty. For customers, it means owning a piece of textile that literally has nature in its fibers. Imagine dressing your window with block print curtains whose lovely hues come from flowers, roots, and minerals. It’s like inviting a bit of the earth into your home decor! 

Popular Block Print Motifs: Paisley, Floral, and Jaali

Part of what makes block-printed textiles so alluring are the motifs, those repeated design elements that can be traditional, symbolic, and oh-so-pretty. Jaipur’s block prints have a vast catalogue of motifs, but let’s talk about three of the most iconic and beloved types: paisley, floral, and jaali patterns. 

  • Paisley (Buta/Ambi) The paisley is that curved teardrop or mango-shaped motif that has become synonymous with Indian prints (even though its origins trace back to ancient Persia). In Hindi, it’s often called ambi (mango) or buta, and it appears in countless block print designs either as the main highlight or a supporting element. The paisley’s journey is fascinating: it originated as the Persian boteh motif and became popular in India, especially in Kashmir shawls and Mughal textiles, before being adopted by Europe, where it was named after the town of Paisley in Scotland. In Indian block prints, paisleys can range from a bold solitary mango printed in the center of a bedsheet to tiny repeating buta buta scattered all over a fabric. They often symbolize fertility and growth (some say the shape is derived from a bent cypress tree or a mango, both symbols of life). Rajasthani prints like those from Sanganer frequently incorporate paisleys entwined with floral vines. For example, a paisley jaal pattern might have mango motifs connected by creepers, filling the fabric in a lattice. These motifs are skillfully carved into wooden blocks, sometimes with interior details like little flowers or dots inside the paisley. The paisley is truly a timeless global favorite: whether on a traditional Jaipur quilt or a trendy boho cushion cover, it exudes a playful yet elegant vibe.
  • Floral & Nature Motifs Flowers are the heart of so many Indian block prints. From tiny buds and butis, to elaborate flowering branches, floral designs celebrate the natural beauty of Rajasthan and the influences of Mughal art. Sanganeri prints, in particular, are renowned for their delicate floral patterns (buttas) often inspired by local flowers like lotus, marigold, and rose.

lily, and also exotic blooms introduced via Persian designs. A typical Sanganeri curtain might feature an all-over print of petite pink rosebuds with green leaves or a vine of lotus flowers meandering gracefully. In Bagru prints, flora appears in a more stylized form. for instance, bold sunflower-like motifs or simple four-petal flowers printed in repeating rows. There are also tree of life motifs (a flowering tree with birds, etc., usually on quilts or wall hangings) which are block printed and then sometimes detailed with pen work. Aside from flowers, other nature-inspired motifs include leaves, creepers (bel), fruits (mangoes, grapes), and animals/birds (like the famous leheriya wave pattern that represents wind/water, or block prints of peacocks, elephants, etc., used in some designs). The common thread is that these prints reflect the environment and cultural landscape of India. For example, the lotus motif might represent purity and is a nod to both Hindu and Buddhist symbolism. The marigold or chameli flower prints might be reminiscent of festive garlands. And sometimes, flowers are purely decorative and printed just because they’re pretty! Artisans often combine several flowers and leaves into a jaal pattern (an interconnected design covering the textile). According to craft documentation, Rajasthani block Prints frequently feature “floral patterns, geometric shapes, and motifs inspired by nature,” highlighting how important the natural world is in their design vocabulary. If you love botanical prints in your home, Jaipur’s block-printed cushion covers and drapes offer an endless garden to choose from. 

  • Jaali (Jaal) Patterns “Jaali” means “net” or “lattice” in Hindi, and in the context of motifs, it refers to intricate lattice-like designs often used as all-over patterns or backgrounds. The term “jaal” (or “jaali”) in block printing can describe any repeated, interlinked pattern that covers the cloth, usually with motifs connected by vines, geometric grids, or simply closely arranged without much blank space. This concept is inspired by the jali screens in Mughal architecture. those beautiful perforated stone lattices you see in Rajasthan’s palaces and forts. Artisans translated that aesthetic onto fabric. A floral jaal might have buds and leaves connected in a trellis form. A geometric jaali could be a zigzag diamond net or stylized honeycomb printed across the sheet. Jaipur printers mastered these complex repeats; for instance, Sanganer printers have numerous jaal designs in their repertoire, some named after the community or purpose (there were special jaal prints for turbans, canopies, etc., historically). One famous jaal design from Sanganer is the bel-butty, a small vine with tiny flowers forming a mesh. Another is the kairi (paisley) jaal, as mentioned earlier. The jaali motifs often serve as a background pattern that can complement bolder central motifs. For example, a block-printed curtain might feature a big border of paisleys, but the field is filled with a subtle jaal of tiny flowers, giving it texture and richness. In modern bedroom decor, these jaal prints are wonderful because they read almost like a texture from afar, and only when you look closely do you notice the intricate details. They can fit into contemporary styles as easily as polka dots or stripes but carry a lot more cultural depth! Artisans in Jaipur have catalogued over four hundred distinct motif patterns (locally called bhants), including many types of jaal, florals, and butas. So when you pick a hand-block-printed textile, you’re choosing from a vast design heritage. Whether you opt for a bold paisley duvet or cushions with delicate floral jaali, you’re adding art history to your home as much as decoration. 

These popular motifs. paisley, florals, and jaali. often appear together in designs, complementing each other. For instance, a Jaipuri razai (quilt) might have a central medallion of paisley surrounded by a floral jaal and finished with a border that has a geometric jaali pattern. Part of the fun for artisans (and now for designers who work with them) is mixing and matching these heritage motifs in new ways. And for the consumer or décor enthusiast, learning about these motifs adds an extra layer of appreciation. That cushion on your sofa isn’t just a “blue pattern”; it might be a Jaipur block print with a lily-flower jaal and mini paisleys, each shape carrying a story of Rajasthan’s culture or the hands of the block carver who chiseled that design. 

In summary, the design vocabulary of Jaipur’s block prints is incredibly rich. The paisley brings a touch of global history and curvy elegance, the floral motifs bring freshness, femininity, and detail, and the jaali patterns add complexity and heritage charm. When you incorporate these into your home, be it via curtains, cushions, tablecloths, or bedding, you’re essentially decorating with symbols of life, nature, and artistry. It’s no wonder that these motifs have remained popular across centuries. They are classic yet versatile for modern style.

Styling Guide: Using Block Print Curtains & Cushions in Modern Homes

One of the wonderful things about hand-block printed textiles is how easily they can blend into modern home décor. Whether your style is bohemian and eclectic or clean and minimalist, there’s a place for Jaipur’s block prints in your space. Here we’ll share some styling tips and ideas on how to use block print curtains and linen cushion covers to elevate your home. Think of this as your guide to marrying centuries-old craft with 21st-century design, creating a home that’s uniquely yours!

  1. Embrace Boho Chic with Layered Prints 

If you love the bohemian or global eclectic look, block prints are going to be your best friend. The key to boho styling is layering and mixing patterns, textures, and colors in a way that feels lived-in and soulful. Start with block print curtains as a backdrop in your living room or bedroom. For example, drape some indigo blue paisley-print curtains or floral jaal curtains that puddle slightly on the floor for that laid-back vibe. Next, bring in block print cushion covers on your sofa or daybed in complementary patterns. Don’t be afraid to mix patterns: you could combine a cushion with a bold paisley motif and another with a small geometric print; as long as they share a color palette, they’ll look cohesive. Add solid-colored pillows or throws in coordinating hues to balance out the prints. Incorporate natural materials like a jute rug, or a handmade cotton rug, rattan chairs, or a carved wooden coffee table to enhance the worldly, artisan feel. The idea is to create a cozy sanctuary that reflects your travels and personality. Block prints from Jaipur (with their story and character) instantly inject warmth and “collected” charm into such a space. Pro tip: In a boho setting, consider using canopy-style block print fabric over a bed or as a room divider; a sheer Sanganeri print curtain hung from the ceiling can delineate a cozy reading nook, for instance. And don’t forget the lighting: let natural light glow through those printed drapes in the day, and at night, use soft ambient lamps to accentuate the patterns. The shadows and highlights Playing on a paisley curtain can be pure magic! 

  1. Pop of Pattern in Minimalist Spaces 

You might be thinking, “My style is more modern minimalist. Can I still use block prints?” Absolutely yes! In fact, a touch of artisanal pattern can be just the thing to add warmth and interest to a stark contemporary room. The trick is to use block prints strategically as accents. If your living room is all clean lines, neutral colors, and smooth textures, imagine hanging a pair of hand-block printed curtains in a monochromatic pattern. say, a grey-and-white floral jaal or a simple indigo block print with geometric motifs. The subtle pattern will break the monotony without overwhelming the simplicity. Block-printed fabrics have those tiny imperfections and variegations that give a human touch to a otherwise all-machine-made interior, softening the hard lines. For example, a set of white curtains with a delicate light-grey block print could frame your windows elegantly, adding texture when the sunlight filters through. In a minimalist bedroom of all whites and beiges, try a single block print bolster cushion on the bed, perhaps with a quiet beige-on-white paisley design, to create a focal point. Keep the color palette tight (two to three colors max) so the block print acts like a piece of art in the room. Another idea:Stretch a piece of block-printed fabric on a canvas frame and use it as wall art. A framed section of a bold Bagru print (like a black and red motif) hung on an otherwise empty wall can look striking and modern. The key here is balance: one or two block-printed elements in a room are enough to add personality. They’ll draw the eye and invite curiosity (“Where did you get that? Tell me about it!”), while the rest of the space stays zen and uncluttered. Indeed, designers say that in neutral or minimalist decor, handcrafted textiles provide warmth without breaking the simplicity, creating a timeless balance. So go ahead and pair that Scandinavian couch with a Jaipur block print pillow. It might become your favorite corner.

  1. Mix and Match with Modern Patterns 

Block prints don’t have to be isolated as the “ethnic” element in a room; you can mix them with other modern patterns, and it can look super stylish. For instance, try pairing block-printed cushions with a contemporary sofa that has stripes or a solid texture. A navy blue couch with white pinstripes could get a lively twist when you add some throw pillows in a small-scale indigo block print and maybe one in a contrasting color like mustard yellow with a floral block pattern. Mixing prints is very on-trend; the only rule is to vary the scale and coordinate the colors. One large-scale pattern (like broad stripes or a big paisley) can be complemented by one small-scale pattern (like tiny flowers or dots). And a unifying color can tie them together (e.g., the navy stripe and navy floral share the color navy). This approach works great in bedrooms too: you could have a modern duvet cover (maybe a subtle chevron or plain color) and accent it with Euro shams in block print and a lumbar pillow in another print. The result is eclectic yet curated. Block prints also mix nicely with global textiles like ikat or shibori. If you have a Japanese shibori-dyed throw, place some Rajasthani block print cushions with it; the indigo dye commonality will make them friends, and the contrast of tie-dye vs. stamped pattern adds depth. Or a kilim rug on the floor (with its bold geometrics) can find an echo in the geometrics of a Jaipur block print curtain. Essentially, don’t hesitate to treat block prints as just another pattern in your design toolkit. They might have heritage, but they can be surprisingly versatile when juxtaposed with contemporary designs. And if you ever feel unsure, remember: white walls and mixed-print textiles are a fail-safe combination. The neutral wall will make every pattern pop, and the patterns in turn animate the space. Your home will look like an artful composition rather than a furniture showroom. 

  1. Seasonal Swaps and Statement Pieces

Another fun way to incorporate block print curtains and cushions is to change them out seasonally or use them as statement décor pieces for special corners. Jaipur block prints often come in collections that evoke seasons.For example, spring might bring out prints with lush green foliage or pastel blossoms, whereas fall collections might have warmer colors like maroon, mustard, and browns in leafy or paisley designs. You can take advantage of this by rotating your cushion covers or curtains as the seasons change (much like one would swap out bedding or table linens). In summer, lightweight cotton block print drapes with a breezy floral pattern can make your home feel cool, airy, and connected to the gardens outside. In winter, you might choose block-printed quilts and heavier drapery, perhaps with deeper colors like indigo, maroon, or a dense jaali print, to create a cozier, enveloping atmosphere. This not only freshens up your décor but also gives you an excuse to showcase more of the beautiful prints you love throughout the year. 

If committing to full-length printed curtains feels too bold for you, consider using block print textiles as accent pieces or functional art. For instance, table runners and a sofa throw blanket are smaller canvases to play with prints. A runner with Jaipur motifs can instantly dress up a modern dining table for a dinner party. Or frame a length of block print fabric and hang it as a tapestry or headboard panel. Even a single statement chair upholstered in block print fabric can be a décor game-changer. Imagine a neutral living room with one vintage armchair reupholstered in a vibrant pink and orange floral block print; it becomes the show-stealer of the room. If reupholstering is too much, you can get the effect by draping a block-printed rajai (quilt) or throw over a plain sofa or armchair.

For the kitchen or bathroom, you can use block prints in subtle ways: cafe curtains in a kitchen window with a cheerful Sanganeri print or hand-block-printed cotton towels in the powder room for a touch of luxury. Even plain white shower curtains can get a DIY upgrade by adding a block print border (stitch on a strip of block print fabric along the bottom). These little touches of Jaipur’s craft will make everyday spaces feel curated and unique.

  1. Blend Tradition with Modern Accessories

To really make your block print furnishings sing, pair them thoughtfully with modern accessories. For example, if you have hung up lovely hand-block printed curtains for the living room, complement them with modern hardware, perhaps simple black metal curtain rods or sleek brass tie-backs. The contrast of the traditional textile with contemporary hardware can look very elegant. Likewise, put your block print cushions on a mid-century modern chair or under a piece of abstract contemporary art on the wall. This interplay between old and new creates a layered look. Many interior designers say the most interesting rooms mix eras and styles: a bit of vintage, a splash of ethnic, and a dose of modern. Block prints provide that heritage touch, which you can then accentuate with modern lighting (like a tripod floor lamp) or edgy decorative objects (like geometric vases or a minimalist clock). For a dining & kitchen area, if you use a block print tablecloth or placemats, use modern plain dinnerware so the prints don’t compete with busy china patterns. Clear glass vases with fresh flowers (maybe marigolds or wildflowers to echo the prints) can tie it together.

Also, think about the color echoes in the room. If your block print cushions have a pop of Jaipur pink in them, maybe have another modern piece in that color family: a solid pink throw or a contemporary art print with a pink element to create continuity. If your indigo block print curtains are the star, scatter a few other indigo accents (a solid indigo pillow or an indigo ceramic pot) around so they don’t stand alone. This way, the handcrafted pieces feel integrated into the design scheme. 

Above all, tell a story with your styling. Block-printed items come with stories of artisan craft and of cultural heritage. You can amplify that by how you display them. Perhaps you style your coffee table with a couple of books on Indian art or a small wooden block stamp as decor, as a nod to the source of your cushions. Or hang a photo you took in Jaipur on the wall near your block-print upholstered bench. These touches create a narrative: your home becomes not just a collection of furniture, but a personal museum of experiences and appreciations. 

In essence, there’s no one right way to decorate with block prints; their versatility is the real beauty. They can be as maximalist or as minimalist as you want. They can dominate a room with color and pattern, or they can quietly enhance and soften. By playing with scale, color, and placement, you can make these traditional textiles fit any décor style. coastal, farmhouse, industrial, Scandinavian, boho, you name it. And the bonus: block print fabrics are usually 100% cotton (or linen), durable, and washable, which makes them as practical as they are pretty. (We’ll cover care tips in the FAQ section soon, so you know how to keep them looking their best.) 

So go ahead and invite some of Jaipur’s signature crafts into your modern home. The result will be spaces that feel warm, characterful, and one-of-a-kind. Every time you catch a glimpse of that hand-stamped pattern, it might even spark joy knowing the human touch that went into it. Stylish, storied, and sustainable. that’s a hard combo to beat in home décor!

Block Print vs. Screen Print (Infographic & Key Differences)

You may have heard of screen printing as another method to create patterned fabrics (or maybe you own screen-printed tees or curtains). It’s natural to wonder: how is hand block printing different from screen printing? And why does it matter for my curtains or cushions? This section will quickly compare the two, so you can appreciate what makes that Jaipur block print unique.

In block printing, as we’ve detailed, artisans hand-carve a design onto a wooden block, dip it in dye, and stamp it on the fabric. In screen printing, the design is transferred to a fine mesh screen (like a stencil); ink is then forced through the screen using a squeegee onto the fabric. Screen printing is often done with machines or large setups for efficiency. Here are a few key points of comparison:

An artisan hand-block printing fabric by stamping a dye-covered wooden block onto cotton. Each press is done manually, creating a unique but slightly variable impression each time. A screen printing technician using a squeegee to push ink through a patterned mesh screen onto fabric. This process allows rapid and consistent replication of the design over many yards. Now, let’s break down the differences between these two printing techniques:

  • Artisanal vs. Industrial: Block printing is a highly manual craft; each motif is hand-stamped. This means it’s slower and labor-intensive but imbues the textile with human touch and slight variations. Screen printing can be done by hand but is often semi-automated or done with large screens, making it faster and easier to produce in bulk. Screen printing became popular in the 19th and 20th centuries as a more industrial-friendly method, whereas block printing is ancient and rooted in artisan workshops. 
  • Design Complexity & Detail: Block printing is actually excellent for intricate designs in terms of line work Skilled carvers can achieve amazingly fine details on blocks. However, each block can only carry one color at a time and has size limitations (usually under 1 foot square for ease of handling). This makes extremely large or multi-colored compositions more time-consuming (multiple blocks). Screen printing, on the other hand, can accommodate more colors and larger continuous designs more easily. Screens can be big, and you can have a different screen for each color. Want a 10-color design? Feasible with screen printing (just a lot of setup). With block, 10 colors would be a monumental task of registration. So generally, screen printing is chosen for designs needing lots of colors, color gradients, or photorealistic effects. Things not practical with blocks. Block prints tend to use a limited palette (often 2-3 colors) and rely on pattern repetition for impact. That said, the level of detail in a small area can be very high in block prints (like fine floral vines), just that screen prints will be more uniform. Screen prints have sharp edges and consistent coverage; block prints may show tiny breaks or light spots where the hand pressure varies. Those are part of the charm. 
  • Look & Aesthetic: A hand-block print often has a certain irregularity and warmth. If you inspect, you might see where one motif is a millimeter off alignment, or the color is a tad lighter in one spot. signs it was made by hand, not a laser printer. These variations mean each pattern is one of-a-kind, often described as having a rustic or soulful character. Many people love this and consider it art. Screen printing yields very precise, uniform results every repeat of the pattern will look virtually identical (especially when machine-done). This is great for perfection and consistency; for example, if you want 100 curtains exactly the same, a screen might do that more efficiently. But you lose the individualistic touch. Visually, screen prints can achieve very solid fills of color and very fine lines, so they might look “cleaner” or more “graphic.” Block prints often have a softer look; even solid areas might show the grain of the block or slight tone variation.
  • Durability & Longevity: Here’s an interesting fact: block-printed fabrics often have excellent color longevity. The technique of pressing the dye with a block can push the color deeper into the fiber. In traditional Bagru prints, for instance, the fabric is often pre-treated, and the dye is pressed and then absorbed, making it quite colorfast. A well-made block print can withstand many washes with minimal fading. By contrast, some types of screen printing (especially on T-shirts, etc.) deposit a layer of ink that sits on the surface; over time or with abrasive washing, it might crack or fade more readily. Of course, there are screen printing inks that are very durable too, but if comparing like-for-like with natural dyes and techniques, block prints hold up impressively. Also, because block prints often use natural dyes and proper curing (like sun drying, washing, etc.), they age gracefully. The color might mellow slightly after a decade, but evenly and pleasantly. Screen prints done with certain pigments might either not fade at all (if chemical dyes are used, which is good durability, but then the fabric might wear out before the print does) or might fade unevenly if not cured right. In short, both can be durable, but don’t underestimate the longevity of a block print; people still have heirloom hand-block-printed quilts from generations ago, colors intact. 
  • Environmental Impact: Traditional block printing is environmentally friendly in several ways. The wooden blocks are reusable for decades and are made from renewable wood. The dyes used historically are natural (biodegradable), and even when washed off, they don’t produce toxic effluents. Many block printing centers like Bagru and Sanganer are reviving natural dye usage to keep their rivers and soil unpolluted. Screen printing, in mass production, often uses plastisol inks (plastic-based) or other chemical dyes that can be harsher on the environment. Unless specifically using eco-friendly inks, screen printing can result in chemical run-off and lots of wasted water in cleaning screens, etc. However, screen printing can be done with water-based inks too; it’s just that many large-scale operations opt for cheaper chemical processes. From an artisan perspective, block printing supports keeping these eco-dye traditions alive. There are also fewer machines or electricity involved; in many cases, block printing is done under the sun in open courtyards and dried by nature. That’s a low carbon footprint! So if sustainability is a priority, hand block prints have an edge for being a slow, green craft. 
  • Cultural & Economic Factors: Buying a block-printed item often means you are supporting traditional artisans and helping sustain a heritage craft. It keeps communities employed in creative work and preserves intangible cultural heritage. Screen printing, especially automated, typically benefits factory production, which has its economic benefits too (jobs in factories, etc.), but it’s a different model. There’s a reason many craft enthusiasts and conscious consumers seek out hand-blocked products: they value the story and human aspect behind them. As one block printing brand aptly put it, choosing block print is about supporting an ancient technique and the artisans who carry it forward. You become part of the effort to “keep the art alive” in the face of mass production.

To sum up, block printing vs. screen printing is like comparing a hand-painted artwork to a digital print. Both can be beautiful, but they have different souls. Block prints offer uniqueness, heritage, and a handcrafted feel. no two pieces are exactly identical, which is part of their appeal. Screen prints offer precision, efficiency, and often lower cost for high volumes, which is why you’ll find screen-printed textiles everywhere from fashion to home goods. Neither is inherently “better”; it depends on what you value. For something like home décor, where each piece can be a talking point, many people prefer the charm of block prints. And practically speaking, for items like curtains and cushions, block prints provide durable colors and that cozy, artisan aesthetic.

In our context of Jaipur’s craft, block printing is the star, and screen printing is more of a modern convenience. Interestingly, in places like Sanganer, both techniques coexist; there are hand-block workshops and also hand-screen printing units in the area. Some contemporary textile designers even combine them (maybe a screen-printed base with some hand-block details on top) to get the best of both. But if you ask the purists (and certainly us craft lovers), seeing those little imperfections of a block print and knowing each motif was pressed by an artisan’s hand. That’s priceless.

Frequently Asked Questions (FAQs)

Let’s address a few common questions readers often have about block-printed curtains and fabrics, especially if you’re new to this textile art.

Which city is famous for block printing in India?

When it comes to block printing, Jaipur is the city that immediately comes to mind for most people. Specifically, the areas of Sanganer and Bagru near Jaipur, in Rajasthan, are world-famous for this craft. 

.In fact, Rajasthan as a state is renowned for block printing, with Jaipur at its heart, earning it a reputation as India’s block print capital. Within Jaipur, Sanganer and Bagru developed their own styles (as we’ve discussed), and you’ll find many artisan families there who have been printing for generations. Besides Jaipur, other places in India known for block printing include Gujarat (especially the Kutch region, known for Ajrakh prints), Madhya Pradesh (Bagh prints from Bagh village), and parts of Uttar Pradesh (Farrukhabad prints, etc.). But if you ask which city, Jaipur takes the crown due to the sheer scale and historical prominence of block printing in its vicinity. Tourists flock to Jaipur’s bazaars to buy Sanganeri bedspreads and Bagru scarves, and design aficionados worldwide collaborate with Jaipur block printers for exclusive collections. So, Jaipur is to block printing what, say, Silicon Valley is to teaching. a thriving hub and reference point.

Are block-printed curtains durable?

Yes, block-printed curtains can be very durable, often more so than you might expect from such an artisanal product. The durability comes down to a couple of factors: the base fabric (usually cotton or a cotton-linen blend) and the dye/printing method. High-quality hand-block printed fabrics use sturdy cotton weaves that can handle daily use. More importantly, traditional block printing techniques ensure the colors are well-fixed into the fabric. As mentioned earlier, the dyes (especially if vegetable or properly processed) penetrate deeply and are set by methods like sun drying, washing, and sometimes aging, which makes them quite wash-fast and light-fast. According to craft experts, block printing tends to create designs that withstand multiple washes without significant fading. In fact, many block print enthusiasts report that their items seem to get softer and more comfortable over time while the prints remain beautifully intact.

That said, the durability also depends on how you care for them. If you expose any cotton curtain to harsh sunlight for years on end, there will be some fading, whether it is block print or not. The advantage with authentic block prints (especially those with natural dyes) is that they often fade gracefully, and sometimes the slight patina can even enhance the vintage look. When comparing to screen-printed or factory-printed fabrics, block prints are on par or better in longevity if both are cared for properly. One thing to note: hand-block prints won’t peel or crack like some surface-printed designs might (for example, sometimes screen prints with plasticky ink might crack after many washes; that doesn’t happen with dyes that are absorbed in).

If durability is a concern, just ensure you’re buying from a reputable source (like a brand that guarantees colorfastness). Many Jaipur block print textiles today are also mercerized or treated so they’re less prone to shrinking and color bleed. And pro tip: the fewer chemical dyes, the better for long-term fabric health. Natural dyes don’t weaken the fiber like some synthetic processes can. So an indigo block-printed curtain could outlast a chemically dyed one in terms of fabric integrity. 

In summary, yes, block-printed curtains are durable; they’re made for everyday life, not just show. People have used them in India’s harsh climates for ages (think of the razai quilts and drapes in desert homes that last decades). Just give them a bit of mindful care, and they’ll beautify your home for a long time.

How to wash block-printed fabric?

Great question! Proper care will ensure your lovely block-printed cushions and curtains stay vibrant. Here are some tips for washing and caring for hand-block printed fabric:

  • Gentle Washing: It’s best to hand wash or use a delicate machine cycle. Use cold or lukewarm water (no more than 30°C). Hot water can cause more fading or shrinkage, especially with natural dyes and cotton. So keep it cool to keep colors true. 

Mild Detergent: Use a gentle, pH-neutral detergent, ideally one that is non-enzymatic and non-bleaching. Enzyme-based detergents can be too harsh on natural dyes and might strip color over time. Look for soaps made for delicate or dark fabrics. Definitely avoid any bleach or bleach-alternative additives.

  • Wash Separately (at first): For the first few washes, wash the block-printed item separately (or with similar colors) to be safe. It’s not uncommon for some excess dye to rinse out in initial washes; for example, indigo might bleed a bit of blue the first time. This is normal for hand-dyed fabrics. Washing separately prevents any color transfer accidents with other clothes.
  • Do Not Tumble Dry: It’s recommended to air dry block-printed textiles. Tumble drying is not great for cotton anyway (can shrink and weaken fibers), and with block prints it could also cause color loss due to high heat. Instead, hang your curtains to drip dry, or lay your cushion covers flat to dry. Avoid direct harsh sunlight when drying, as that can fade colors. Dry in shade for or indoors for best results. If drying outside, hang inside-out to protect the print from UV exposure. 
  • Ironing: You can iron block-printed cotton on medium heat. It’s actually nice to iron on the reverse side; if it’s natural dye, a too-hot iron directly on the print might cause a bit of discoloration. But generally cotton loves a good ironing. Use a steam iron or spray water to ease out wrinkles. Again, iron inside-out or put a cloth between the iron and print if you’re extra cautious.
  • No Bleach or Harsh Chemicals: This one’s obvious but worth stating. Never bleach your hand block prints. Also avoid soaking in stain removers that have strong chemicals. If you get a stain, try a gentle stain removal trick like a bit of baking soda paste or a fabric-specific spot remover, tested on a hidden area first. 
  • By Hand is Grand: Hand washing is often the safest method. Gently swish the item; don’t scrub vigorously. Block prints can handle use, but friction should be minimal during washing to protect the print clarity. Many makers actually recommend hand washing exclusively for delicate block-printed garments (like silk scarves or fine cotton apparel). For sturdier home fabrics (curtains, etc.), a gentle machine cycle in a mesh laundry bag can be okay.
  • Color Setting (for DIYers): If you ever buy block print fabric that you suspect might bleed (for example, deep reds or indigos), a traditional tip is to do a first rinse in salt water or add a bit of white vinegar to the rinse water. These can act as mild mordants to help fix color. Many artisans already do this, but it’s a handy pre-wash trick, especially for vibrant colors. Don’t overdo it with vinegar though (and rinse it out well) because you don’t want the vinegar smell lingering.
  • Regular Care: Sometimes you don’t need to wash as often as you think. For curtains, you can periodically just vacuum them with a brush attachment or shake them out to remove dust, and wash them maybe a few times a year. For cushion covers, of course, wash when there are spills or every so often as needed. Turning covers inside out before washing helps protect the print. Avoid over-washing, as each wash wears textiles gradually. If just a bit musty, airing them outdoors in shade can freshen them up without a full wash. 
  • Dry Cleaning?: Generally, block-printed cottons don’t need dry cleaning; they actually prefer water. Dry cleaning chemicals can be harsher on hand dyes than a gentle hand wash would be. However, if you have a block-printed item that is quilted (with stuffing) or an upholstered piece that you can’t easily launder, you might consider a professional cleaner that has experience with vegetable dyes (some offer “green” dry cleaning). But for removable covers and fabrics, stick to home washing. 

Following these tips, your block print textiles will stay cheerful and bright. For instance, Dilli Grey (a sustainable brand) advises delicate cool washes, no tumble drying, and keeping prints out of strong direct light when drying, pretty much exactly as above. This kind of care ensures the colors remain vivid and the fabric strong.

One more note: do not wring hand-block printed fabrics too hard when wet. Cotton can handle it, but if it’s a finer fabric like mulmul (voile) used in some curtains, gentle squeezing is enough. And if your block print has any embellishments (some may have a bit of embroidery or mirror work), definitely hand wash those. In short, treat your block prints kindly with gentle wash, mild soap, and air dry, and they will reward you with lasting beauty. Think of it as a small homage you pay to the craft: these items were made slowly by hand, and you’ll maintain them in a slow, mindful way too. It’s all part of the love for handcrafted textiles! 

Eyda homes: Curating Jaipur’s Block Print Heritage for Modern Living

As we wrap up, let’s talk about Eyda homes and the brand perspective that ties this all together. Eyda homes is not just another home décor label; it presents itself as a curator of authentic Indian block prints blended into modern designs. The ethos of the brand is built on celebrating traditional craftsmanship (like hand block printing) and bringing it into contemporary homes in a stylish, meaningful way.

Founded by a family with roots in India’s textile artisanry, Eyda homes works with second- and third-generation artisans from Rajasthan. the very people whose ancestors perfected Bagru and Sanganeri prints over centuries. By collaborating directly with these master printers, the brand ensures that every product, be it a curtain, cushion cover, or table linen, carries the genuine touch of hand craftsmanship. The artisans use the classic techniques we’ve discussed: carving wooden blocks, mixing natural dyes or AZO-free pigments, and printing on high-quality fabrics. For example, an Eyda homes cushion cover might be made of soft organic cotton, block printed with a lotus flower jaal by a Sanganer printer, and then perhaps hand-embroidered around the edges for a unique finish. This way, the brand preserves the “Jaipur signature” craft in each piece while also infusing a bit of fresh design sensibility that suits modern tastes (like subtle color palettes or minimalist pattern arrangements). 

Eyda homes also emphasizes blending timeless tradition with modern-day comfort. What does that mean? In practical terms, it means they take something like a classic block print and adapt it to current home décor trends and quality expectations. Colors might be coordinated to match trending interior palettes (think blush pinks, cool greys, and earthy greens alongside the traditional indigos and reds). The products are also crafted keeping in mind contemporary sizes and uses, e.g., blackout curtains in lengths suitable for standard windows, cushion covers with hidden zippers, machine-washable materials, etc. This way, customers get the best of both worlds: the uniqueness of heritage textiles and the convenience of ready-to-use home goods that fit seamlessly into a modern lifestyle.

Another aspect of Eyda homes’ curation is quality and sustainability. They don’t mass-produce in factories; they “slow craft” in small batches. Natural fibers like cotton, linen, and jute are predominantly used, which ensures the products feel luxurious and earth-friendly. The brand also highlights how each piece is made with love and story, not just churned out. As an example, imagine a set of block print cushion covers on Eyda homes’ catalog: they might tell you it was printed by a certain artisan family in Jaipur, using traditional motifs, and that buying it helps sustain that craft. When you decorate with those cushions, you’re not only adding color and comfort to your space but also weaving a piece of Indian textile soul into your home.

Eyda homes prides itself in being a bridge between the East and West. While based in the USA, their “Hands remain Indian.” This means design and fulfillment may be global, but production is firmly rooted in India’s villages and towns where the craft thrives. They support artisan livelihoods by providing them a wider market and fair trade, ensuring these skills get passed on rather than abandoned for city jobs. So when you purchase an Eyda homes block-printed curtain or bedspread, you are essentially supporting a lineage of craftsmen and keeping an art form alive. It’s a feel-good factor beyond just retail therapy. 

From a style perspective, Eydahome’s collections often take inspiration from both tradition and current trends. You might find a “Mughal Garden” collection featuring intricate floral prints (a nod to Jaipur’s palace gardens) in chic monochrome colorways suited for a modern chic living room. Or a “Desert Oasis” collection with bold Bagru motifs in trendy colors like teal or coral, which could be the accent piece in a contemporary boho setting. By curating in this way, they make it easy for global buyers and décor enthusiasts to incorporate authentic block prints into their homes without feeling too “ethnic” or old-fashioned. It’s all about context and pairing: a block print table runner from Eyda homes could look just as at home on a Scandinavian-style dining table as it would in a traditional setting, because the brand might present it with modern tableware and minimalist styling in their photos, sparking ideas for the customer.

Eyda homes’ brand angle is ultimately about storytelling through décor. Each cushion cover or curtain they offer isn’t just a mass-manufactured item; it’s described as “a living story of Indian artisanship passed down through generations.” Owning their products means you’re part of that story. In a world of disposable home décor, something from Eyda homes stands out as meaningful and lasting. It’s likely to be the piece you talk about when giving a house tour (“I got these from a brand that works with artisans in Jaipur; they’re hand-block printed, isn’t that cool?”).

In essence, Eyda homes serves as a curator and bridge: they curate the best of Jaipur’s block print crafts. The signature motifs, the skilled makers, the natural materials. and bridge it with what modern homes need the right formats, contemporary aesthetics, and easy accessibility (you can shop online and get a bit of Jaipur delivered to your doorstep). It’s a beautiful synergy of heritage and home fashion.

So, if you’re a global buyer or décor lover intrigued by everything you’ve read about block printing, a brand like Eyda homes is a great avenue to explore. You’ll find authentic hand-block printed curtains and cushion covers that carry the authenticity of Jaipur’s signature craft yet are tailored for today’s homes. an heirloom for modern spaces, as they like to say. With such pieces, you’re not just decorating; you’re honoring a tradition and making a stylish statement at the same time.

In conclusion, block print curtains and cushions truly embody Jaipur’s signature craft, bringing art, history, and warmth into our modern abodes. We’ve journeyed from the 12th-century origins of the craft to the contemporary brand stories that carry it forward. Whether it’s the royal florals of Sanganeri, the earthy chic of Bagru, or the sustainable ethos of natural dyes, each aspect adds richness to the textile you drape in your living room. And beyond aesthetics, the very choice to decorate with hand block prints supports artisan communities and keeps a beautiful heritage thriving. So, as you consider your next home update, think about going the block print route, be it through a platform like Eyda homes or a local artisan fair. You’ll be rewarded with décor that’s not only visually stunning and trendy but also steeped in culture and craftsmanship. That’s the kind of home décor that tells a story. one that you and your family will cherish for years to come. 

Remember, decorating is an extension of personal expression. By choosing Jaipur’s hand-block printed textiles, you express appreciation for art, for sustainable making, and for global connectivity. A paisley here isn’t just a paisley; it’s a little ambassador from Jaipur, spreading joy in your home. Happy decorating! Contact Eyda Homes For more details.